Expected 30/5/25
A year and a half removed from the trenchant identity opus of his ‘Three
Bells’ song cycle, Ty Segall has beamed himself out from deep within
psychic interiors. Hitting the trail beneath the big skies of that good ol’ frontier
empire, he’s on the hunt for new horizons - and it’s frankly astonishing to
hear, at this mature point in his discography, the discovery of invigorated
new sonics around every bend. That’s simply what Ty does with his music.
Here, compulsive rhythm arrangements are joined in battle by sweeping
movements of strings and horns that further the charge righteously. Be it de Toqueville, duBois, George H Nash, Howard Zinn, Bob Dylan or ‘Smile’-era Beach Boys, it doesn’t matter where you get your history: whether
you wanna party like it’s 1999 or 1699, the stories you like to tell yourself
tend to reinforce what you already believe. But what if they didn’t? Here,
coursing through the irresistibly high music spirits, Ty foists social concepts
that you won’t read about in school. In the process, he manages to slip
discreetly in and out of the ranks of silver-tongued bums, fly-by-nights and
way-outs like Cheap Trick and Steely Dan, never tarrying long enough to
retain their distinctive ordure. One of the keys to this new music involved tapping an old friend and collaborator, filmmaker Matt Yoka, to write with him. As a non-musician,
Matt’s language sense is different from the one Ty’s amassed as a player of
music. With the trust they’ve developed over the years - brainstorming the
visual worlds of ‘Goodbye Bread’, ‘Manipulator’, ‘Emotional Mugger’ and
plenty more, they throw the conceptual ball back and forth to translate
general vibes and feels into wicked lyric imagery, each acting as writer and
editor in the process. Through these lyric sets, Ty found new scansion and different shapes suggesting the qualities of the songs, and of an overall arrangement sense.
That’s where the other keys came in - piano keys! Ty’s been woodshedding
on the 88s, the 76s and/or the 61s; they add new outlines and shadings to
the music, fortifying his fantastic plastic vision left and right. Rife with singing
guitar leads and Wizzardian brass and reeds lustily riffing on the banks of
Ty’s harmony vocal choir, ‘Possession’ features some of Ty’s most inspired
songs to date. It’s a post-‘Paradise City’ map of the American way, moving and grooving,
but not pointing fingers even as childish fantasies splatter across the
windshield. Taking back alleys through complicated cityscapes, ripping riffs
jaggedly out of past hits for a new purpose, Ty scans the wreckage scattered
all around, singing about the end of the rope while resisting defeat -
suggesting an ecstatic new empire to build as he cruises the countryside in
his glittering craft.
Tracklisting
Shoplifter
Possession
Buildings
Shining
Skirts of Heaven
Fantastic Tomb
The Big Day
Hotel
Alive
Another California Song